Godzilla Roars On To The Scene

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Monster movies tend to lean towards the cult film crowd. There are exceptions though. Just about every movie fan and even quite a few casual fans have experienced the greatness of a Godzilla film at one time or another, whether it’s one of the classics (no matter how cheesy the graphics) or one of the terrible (1998’s debacle). They have a draw to them like disaster movies, superhero movies or even film noir.
Warner Brothers is the latest to take on the ultimate monster that is Godzilla. This marks the 60th anniversary of the 1954 classic that shook and even started the cult film phenomena. This was Japan’s political and social response and commentary on the bombings 9 years earlier of Hiroshima and Nagasaki. The last Godzilla film was made 10 years ago when Toho productions announced they wouldn’t make another Godzilla for at least 10 years and through a peculiar series of events Warner Brothers came to make a 3D IMAX version of Godzilla. Let’s just say they used every day and every dollar over that 10 year span to nail it!
The film starts in Japan in 1999 with an American nuclear engineer and his wife (played by Bryan Cranston and Juliette Binoche) headed to work on a fateful day. When seismic activity draws Joe Body’s (Cranston) attention, the nuclear plant immediately becomes in danger. The trouble is Brody recognizes this is no normal seismic activity. He recognizes a pattern which leads to a 15 year long search for what caused the meltdown and the death of his wife. This draws his now adult son back to Japan to retrieve him after being arrested in the quarantined area. A series of events leads him to believe his father and eventually make his way back to his home in San Francisco to keep his family safe when a new beast named Mutos is discovered and headed for any nuclear source it can find. This eventually awakens Godzilla, who members of a company called, Monarch, have been tracking since the detonation of the atom bomb.
It soon becomes aware that Godzilla, despite his destruction and destructive ability, is not quite the enemy. Battles ensue and everything we love about Godzilla movies present themselves. A wild ride is everything short of an understatement.
The film has it all. It’s scary, it’s intense, it has story and perfect character development. It has enough to please hardcore fans, including a very small and brief Mothra reference, and enough to make newly introduced movie goers, intense vintage fans.
Godzilla takes quite awhile to make his first appearance, an homage to Spielberg’s Jaws. When Godzilla makes his first full appearance you can’t help but smile and be filled with excitement and almost want to cheer because Hollywood has finally lived up to what true fans have always hoped for. The battles are not over done and the 3D is used just right. The fades and everything is directed so well you can’t help but walked out satisfied.
Godzilla needs to be seen in IMAX 3D to be fully experienced but it will not at all be lost on a normal viewing screen. You will enjoy it at home, when it comes out, but you are doing yourself a serious disservice not seeing it in theaters. One thing is for sure, Godzilla is everything movie fans have wanted and is everything it should be. DON’T MISS IT!

4 thoughts on “Godzilla Roars On To The Scene”

  1. I’ve got everything prepared to review the film for Written in Blood. My wife and I are going to catch a matinee on Sunday. I can’t wait; it may not be so much a review as a love letter to the King of All Monsters.

  2. Great review. I liked the film and thought the majority of the film was good, which is a nice change from the 98 version which was mostly bad.

    The visuals and tone worked really well but the characters where lifeless, except Cranston.

    Still bring on MechaGodzilla! 😀

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